Pablo Picasso Period of creation: 1962-1973 – 1969 Buste dhomme 1
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The figure’s hair is suggested by concentric circles of white and red, creating a halo-like effect around the head. The neck blends into a stylized garment – a jacket or tunic – executed in broad strokes of red and black, with angular lines defining its form. This treatment reduces the clothing to geometric shapes, minimizing any sense of naturalistic drape or texture.
Below the bust, a fragmented depiction appears; it seems to be an abstracted representation of hands holding what might be playing cards or similar rectangular objects. These elements are rendered in a chaotic arrangement of lines and planes, further disrupting the visual coherence of the scene. The date 11.69 is inscribed near the upper right corner, providing a temporal anchor for the work.
The painting’s subtexts revolve around themes of identity and perception. The stylized features and flattened perspective suggest a deliberate distancing from realistic representation, inviting viewers to consider the constructed nature of portraiture. The intense gaze of the figure could be interpreted as an interrogation – a challenge directed at the viewer or perhaps a reflection of internal turmoil. The fragmented lower portion introduces an element of instability and uncertainty, hinting at a breakdown in communication or a sense of fractured reality. The overall effect is one of psychological complexity, conveyed through a deliberate manipulation of form and color.