1972 Jacqueline de Vauvenargues Pablo Picasso (1881-1973) Period of creation: 1962-1973

The work presents a portrait in profile, dominated by a stark contrast between light and shadow. A womans face is rendered with simplified features; her nose is prominent, her lips are thin and downturned, suggesting a melancholic or contemplative mood. The eyes, though partially obscured, convey an intensity that draws the viewer’s attention. Her hair appears dark and unruly, falling in thick strands around her face. A vibrant red fabric is draped across her head, acting as both a decorative element and a visual barrier, partially concealing the nape of her neck.
The color palette is restrained, primarily utilizing earth tones – ochre, brown, and green – with the striking exception of the crimson cloth. This limited range contributes to an overall sense of austerity and solemnity. The background is divided into distinct blocks of color – a pale yellow above and a darker green below – creating a flattened perspective that emphasizes the figure’s isolation.
Above the portrait, bold lettering spells out a name in capital letters. The typeface appears somewhat crude, almost handwritten, which lends an informal quality to what would otherwise be a formal depiction. This juxtaposition of formality (the portrait) and informality (the inscription) introduces a layer of complexity. It suggests that the work is not merely a representation but also a personal statement or memorialization.
The composition evokes a sense of timelessness, reminiscent of ancient Roman busts or Byzantine icons. However, the simplified forms and expressive use of color betray a modern sensibility. The artist seems to be interested in conveying an emotional state rather than achieving photographic realism. The subtext hints at themes of memory, identity, and perhaps even loss – the woman’s gaze directed towards something beyond the viewers perception suggests a preoccupation with the past or a sense of longing.