1961 TИte de femme (profil) Pablo Picasso (1881-1973) Period of creation: 1943-1961

The work presents a stylized depiction of a female profile constructed from flat planes and geometric forms. The artist employed a stark contrast between white and black, with the figure emerging as a white silhouette against a dark background. This high-contrast arrangement immediately draws attention to the form while simultaneously flattening its depth.
Here we see a simplified head, rendered without detailed features. A single circular element suggests an eye, positioned slightly off-center. The nose is indicated by a vertical plane that abruptly terminates, contributing to the overall sense of abstraction and reduction. The mouth is absent, further emphasizing the anonymity of the subject.
The artist has fragmented the profile into distinct sections, creating a sense of disjointedness. A large, curved form suggests the shoulder and upper torso, while an oval shape defines what might be interpreted as the lower body or bust. These elements are not seamlessly integrated but rather appear to be separate components assembled together. The use of sharp angles and planes contributes to a feeling of angularity and rigidity.
The composition is anchored by a rectangular base that provides stability and grounds the figure in space. This base, like the rest of the sculpture, is painted white, reinforcing the visual unity of the piece.
Subtly, the work seems to explore themes of identity and representation. The absence of specific facial features suggests an attempt to move beyond individual portraiture towards a more universal depiction of femininity. The fragmentation of the form could be interpreted as a commentary on the ways in which women are often objectified or reduced to simplified representations within societal structures. The stark contrast between light and dark might symbolize opposing forces, perhaps representing internal conflicts or external pressures experienced by women. Ultimately, the work invites contemplation about the nature of perception and the complexities of portraying human form through abstraction.