1954 Portrait de Sylvette David 31 Е la blouse rayВe Pablo Picasso (1881-1973) Period of creation: 1943-1961

The drawing presents a female subject in profile, rendered with a distinct economy of line and tonal variation. Here we see a young woman turned towards the left, her gaze directed slightly downwards. The composition is vertically oriented, emphasizing the elongated neck and upward sweep of her hairstyle.
The artist employed a technique that prioritizes form over meticulous detail. Facial features are simplified; the eyes are rendered as almond shapes, the nose a subtle indentation, and the mouth a delicate curve. This reduction in detail contributes to an overall sense of quiet introspection rather than overt personality. The hair is depicted with swirling lines suggesting volume and texture, culminating in a high ponytail secured with what appears to be a ribbon or tie.
The subject’s attire consists of a garment that drapes across her shoulders, its folds indicated by parallel lines which create a sense of depth and structure. This clothing choice, along with the hairstyle, evokes a certain period aesthetic – perhaps hinting at classical influences or a romanticized view of femininity. The neckline is low-cut, drawing attention to the neck and upper chest area.
The tonal range is limited, primarily relying on variations in line weight to suggest shading and volume. This monochromatic approach reinforces the feeling of restraint and focus on essential forms. A subtle hatching technique can be observed around the face and hair, adding a degree of visual interest without distracting from the overall composition.
Subtly, theres an air of melancholy or pensiveness conveyed through the subject’s downward gaze and the understated nature of her expression. The drawing doesn’t offer a narrative; instead, it seems to capture a fleeting moment of quiet contemplation. The simplicity of execution suggests a study, perhaps preliminary work for a larger piece, but also conveys a sense of intimacy – as if the artist sought to record not just an appearance, but a feeling or impression.