1947 Vierge Е lenfant Pablo Picasso (1881-1973) Period of creation: 1943-1961

The composition presents a central female figure rendered in a stylized and somewhat abstracted manner. She is positioned against a luminous background dominated by warm yellow tones, punctuated with radiating white brushstrokes that suggest light or celestial presence. The artist employed a watercolor technique, evident in the fluidity of lines and washes of color.
Here we see the woman draped in flowing garments – a blue mantle and a pinkish-red skirt – that cascade around her form. A golden crown adorns her head, signifying royalty or divine status. Her posture is upright, with one arm raised slightly, as if offering something or blessing those below. A small figure, presumably a child, appears to be held in her arms, though the depiction is simplified and lacks precise detail.
The radiating white forms surrounding the central figure contribute significantly to the overall effect. They are not uniformly distributed; instead, they appear as bursts of energy or light emanating from behind and around her, creating an aura of sanctity and power. The brushwork here is loose and expressive, contributing to a sense of movement and dynamism.
The color palette is restrained but evocative. The blue and red contrast with the yellow background, drawing attention to the central figure while maintaining a harmonious visual balance. The limited use of shading creates a flattened perspective, emphasizing the symbolic rather than realistic representation.
Subtexts within this work seem to revolve around themes of motherhood, divinity, and protection. The presence of the child suggests nurturing and care, while the crown and radiant light imply a higher spiritual significance. The abstracted style moves beyond literal depiction, inviting contemplation on these broader concepts. The overall impression is one of serene majesty and benevolent power, conveyed through simplified forms and symbolic color choices.