1934 Courses de taureaux (Corrida) 1 Pablo Picasso (1881-1973) Period of creation: 1931-1942

The composition presents a scene steeped in tension and primal confrontation. Here we observe two central figures: a horse and a bull, locked in a dynamic struggle within what appears to be an arena or enclosed space. The horse, rendered in muted grey tones, is depicted with its mouth agape, suggesting a distressed cry or a desperate attempt at defense. Its anatomy is simplified, yet the artist conveys a sense of frantic movement through the angularity of its form and the exaggerated length of its neck.
The bull, dominating the right side of the canvas, possesses a darker, more imposing presence. The use of black and deep blue creates an aura of power and aggression. Its horns are sharply defined, pointing directly towards the viewer, contributing to the overall feeling of immediacy and threat. A patch of red is visible on its flank, likely indicating a previous wound or injury, adding another layer of narrative complexity.
The background is ambiguous, composed of broad strokes of yellow and white that suggest both light and confinement. The upper portion features what seems to be a dark, angular shape – possibly a figure in shadow or an architectural element defining the space. This indistinctness contributes to the scene’s unsettling atmosphere, preventing easy interpretation and focusing attention on the central conflict.
The artists use of line is particularly noteworthy. Bold, black outlines define the forms, creating a graphic quality that emphasizes their essential shapes while simultaneously flattening the perspective. The lack of detailed rendering encourages viewers to engage with the symbolic weight of the scene rather than its realistic depiction.
Subtly embedded within the composition are elements suggesting broader themes. The confrontation between the horse and bull can be interpreted as a metaphor for power dynamics, struggle, or even life and death. The arena itself implies a ritualized setting, hinting at tradition and spectacle. The overall effect is one of controlled chaos – a visual representation of raw emotion and primal instinct contained within a structured framework.