1922 nature morte Е la guitare Pablo Picasso (1881-1973) Period of creation: 1919-1930

The composition presents a still life arrangement rendered in a fractured and fragmented style. Here we observe several objects – what appear to be musical instruments, specifically a guitar and a violin, alongside a sphere or fruit – deconstructed into geometric planes and presented from multiple viewpoints simultaneously. The artist has eschewed traditional perspective; instead, forms overlap and interpenetrate one another, creating a sense of spatial ambiguity.
A dominant color palette of ochre, orange, blue-purple, and black defines the visual field. These hues are not applied uniformly but rather in blocks and patches, contributing to the overall fractured effect. The surface appears textured, with visible brushstrokes adding depth and dynamism to the composition. Linear elements – thin lines and hatched areas – further dissect the forms, reinforcing the sense of fragmentation and analytical observation.
The arrangement is set against a backdrop of muted gray and blue-purple planes, which serve as both background and integral components of the overall structure. These planes do not provide depth but rather function as additional facets within the flattened pictorial space. The guitar, centrally positioned, dominates the visual weight, its form broken down into angular segments that suggest both its physical presence and a symbolic representation of music or artistic creation.
Subtly, there is an impression of melancholy conveyed through the muted color scheme and the sense of isolation created by the fragmented forms. The objects are not presented as celebratory symbols but rather appear to be dissected, examined, and ultimately rendered in a state of deconstruction. This approach suggests a questioning of traditional representation and a focus on the underlying structure of perceived reality. The sphere, positioned near the left edge, introduces an element of organic form amidst the geometric rigor, perhaps hinting at a tension between naturalism and abstraction. Overall, the work conveys a sense of intellectual inquiry and formal experimentation, characteristic of a period marked by significant shifts in artistic conventions.