1922 La coiffure Pablo Picasso (1881-1973) Period of creation: 1919-1930

The composition presents a seated figure engaged in the act of hairstyling, seemingly attended by another individual positioned lower within the frame. The arrangement suggests a domestic scene, possibly a salon or private chamber. A mirror is visible on the left side, reflecting a portion of the seated woman’s face and contributing to the sense of intimacy and focused activity.
The color palette is dominated by earthy tones – ochres, browns, and muted reds – which contribute to a somber, almost melancholic atmosphere. The application of paint appears rapid and gestural; brushstrokes are visible throughout, lending a raw, unfinished quality to the work. This technique emphasizes form over precise detail, prioritizing an impressionistic rendering of the scene.
The figures themselves are rendered with simplified features and angular forms, characteristic of a style that deconstructs traditional notions of beauty and representation. The woman’s expression is difficult to discern; her gaze appears averted, suggesting introspection or perhaps preoccupation. The figure assisting her seems diminutive in scale, adding an element of asymmetry and visual interest.
Subtly, the painting explores themes of vanity, caregiving, and the complexities of interpersonal relationships. The act of hairstyling can be interpreted as a ritualistic practice, signifying attention to appearance and social presentation. The presence of the smaller figure introduces a dynamic of dependence and service, hinting at power dynamics within the depicted relationship.
The overall effect is one of quiet contemplation, inviting viewers to consider the mundane yet significant moments that shape human connection and self-perception. The lack of explicit narrative allows for multiple interpretations, fostering an ambiguity that enhances the painting’s emotional resonance.