Pablo Picasso Period of creation: 1919-1930 – 1921 Buste de nu fВminin
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The artist’s handling of light and shadow contributes significantly to the works overall effect. The figure’s skin tones are rendered with a muted palette, emphasizing volume and form through subtle gradations. Light appears to originate from an unseen source on the left, illuminating her face and upper torso while leaving portions of her body in relative darkness. This contrast enhances the sculptural quality of the representation.
The draped cloth is not merely functional; it serves as a compositional element that guides the viewers eye around the figure. The folds are rendered with considerable detail, suggesting an interest in texture and materiality. The positioning of the hand resting on what appears to be a ledge or table further anchors the composition and provides a sense of stability.
Subtleties within the work suggest a deliberate engagement with artistic traditions. The pose and overall aesthetic evoke classical sculpture, particularly depictions of goddesses or mythological figures. However, the directness of her gaze and the unidealised quality of her features depart from conventional representations of feminine beauty. There is an absence of sentimentality; instead, a certain stoicism is conveyed through her expression.
The dark background serves to isolate the figure, focusing attention entirely on her presence. This isolation can be interpreted as symbolic – perhaps representing a sense of introspection or independence. The painting seems less concerned with eroticism than with exploring themes of female identity and representation within an artistic lineage steeped in classical ideals.