1919 Projet pour le dВcor (Le Tricorne)1 Pablo Picasso (1881-1973) Period of creation: 1919-1930

The composition presents a fragmented view of architectural forms and landscape elements arranged within a shallow pictorial space. The artist has constructed a scene that is not intended as a realistic depiction but rather as a formal exploration of shapes, colors, and spatial relationships.
Here we see a series of planes intersecting and overlapping. A pale blue area dominates the foreground, punctuated by stark white architectural volumes with simplified window openings. These structures appear to be buildings or facades, their forms reduced to essential geometric blocks. The color palette is restrained, primarily utilizing blues, whites, browns, greens, and touches of orange and purple.
Behind these foreground elements, a landscape unfolds. A range of hills or mountains rises in the middle ground, rendered in warm tones of orange and brown. These forms are not depicted with naturalistic detail; instead, they appear as stylized masses, contributing to the overall abstract quality of the work. The upper portion of the composition is defined by a dark purple area that acts as a backdrop, further flattening the perspective and emphasizing the two-dimensionality of the scene.
The arrangement feels deliberately disjointed. Theres no clear vanishing point or consistent light source; instead, elements are placed seemingly at random, creating a sense of visual disorientation. The artist seems less concerned with conveying depth than with exploring how different forms can interact within a limited space.
Subtly, the work suggests an interest in the interplay between interior and exterior spaces. The architectural structures seem to frame or contain the landscape view, blurring the boundaries between built environment and natural world. This could be interpreted as a commentary on the relationship between humanity and its surroundings, or perhaps simply as a formal investigation of how these elements can be combined to create a new visual experience. The overall effect is one of controlled abstraction, where recognizable forms are deconstructed and reassembled in an unconventional manner.