1927 Le cri Pablo Picasso (1881-1973) Period of creation: 1919-1930

The composition presents a fragmented portrait, dominated by a central figure rendered in a highly stylized manner. The subjects face is deconstructed into geometric planes and simplified forms, suggesting multiple perspectives simultaneously. A vertical band of muted color bisects the image, creating a stark contrast with the predominantly monochromatic palette of the figure itself.
The artist employed bold, black outlines to define the contours of the head and facial features. These lines are not delicate or flowing; instead, they possess an assertive quality that contributes to the overall sense of angularity and distortion. The eyes are rendered as simple ellipses, one appearing disproportionately large relative to the other, which amplifies the feeling of unease or disorientation. The mouth is depicted as a curved shape, hinting at a possible expression of anguish or distress.
The figure’s hair is suggested by sweeping lines that cascade down the sides of the head, adding to the sense of movement and dynamism within the composition. A subtle shading technique is used to create a sense of volume and depth on the planes of the face, although this effect is somewhat subdued due to the limited color range.
The background appears as an ambiguous space, lacking any discernible details or context. This emptiness serves to isolate the figure and intensify its emotional impact. The dark borders surrounding the central image further contribute to this sense of confinement and isolation.
Subtly, theres a feeling of psychological tension conveyed through the disjointed representation of the face. It’s not merely a portrait; it seems to be an exploration of inner turmoil or existential anxiety. The fragmentation suggests a breakdown of identity or perception, while the stark contrast between light and dark reinforces a sense of emotional conflict. The overall effect is one of profound alienation and psychological distress, communicated through a deliberate distortion of form and perspective.