Pablo Picasso Period of creation: 1908-1918 – 1909 Verres et fruits
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The central focus lies upon three vessels – two tall, cylindrical forms flanking a more ornate, goblet-like structure. These are not depicted with meticulous detail; instead, their shapes are suggested through broad strokes of dark paint, emphasizing form over precise representation. The interplay of light and shadow across these objects is crucial to the compositions effect. Highlights catch on certain facets, hinting at reflective surfaces without fully revealing them, adding a layer of mystery.
In the foreground, several rounded forms – likely fruits or vegetables – are clustered together. Their coloration contrasts with the darker background, drawing the viewer’s eye. The artist has employed thick impasto to render these objects, giving them a tactile quality and further emphasizing their presence within the scene.
The overall effect is one of quiet contemplation. Theres an intentional lack of narrative or overt symbolism; instead, the painting seems to explore the interplay of light, shadow, and form in a confined space. The limited palette and simplified shapes contribute to a sense of austerity and introspection. It evokes a feeling of stillness, as if time has momentarily paused within this arrangement of objects. The compositions density – the close proximity of the elements – creates a visual weight that reinforces this impression of quietude and restraint.