1914 Verre Pablo Picasso (1881-1973) Period of creation: 1908-1918

The work presents a fragmented assemblage of geometric forms, predominantly rendered in muted grey and dark brown tones. A substantial, roughly cylindrical block dominates the composition; its surface appears textured, suggesting a material like plaster or heavily applied paint. This form is positioned slightly off-center, leaning precariously against a sharply angled plane that extends downwards.
The lower element consists of a broad, flattened shape, also in dark brown, which acts as a base for the entire structure. Its edges are irregular and appear to have been deliberately fractured or broken, contributing to an overall sense of instability. A triangular form, seemingly made of metal, emerges from behind the cylindrical block, its apex pointing diagonally upwards. The metallic sheen contrasts with the matte finish of the other components, adding a layer of visual complexity.
The arrangement evokes a feeling of disruption and collapse. There is no clear narrative or representational subject; instead, the focus lies on the interplay of shapes, textures, and spatial relationships. The fractured edges and precarious balance suggest themes of destruction, fragmentation, and perhaps even trauma. The muted color palette reinforces this somber mood, avoiding any sense of vibrancy or optimism.
The work’s construction implies a deliberate deconstruction of traditional sculptural forms. It is not an attempt to depict something recognizable but rather to explore the inherent qualities of materials and their potential for conveying emotional weight through abstract means. The stark simplicity of the composition, coupled with its unsettling instability, invites contemplation on themes of loss, decay, and the fragility of structure – both physical and metaphorical.