1904 Les deux amies2 Pablo Picasso (1881-1973) Period of creation: 1889-1907

The drawing presents two female figures in a close, intimate arrangement. One figure reclines on what appears to be a bed or surface covered with a light-colored sheet. The second stands beside her, leaning over and seemingly touching the reclining womans shoulder. Both are depicted with elongated limbs and simplified forms, characteristic of an expressive style prioritizing emotional resonance over precise anatomical representation.
The color palette is restrained, dominated by muted earth tones – ochres, browns, and blues – which contribute to a sense of melancholy or introspection. The background appears indistinct, rendered in washes of color that lack clear definition, further emphasizing the focus on the figures themselves. This blurring of the setting creates an atmosphere of privacy and seclusion.
The composition is notable for its asymmetry. The reclining figure occupies roughly two-thirds of the space, while the standing figure is positioned to one side, creating a visual imbalance that adds dynamism to the scene. The lines are delicate and sketchy, suggesting a spontaneous or improvisational approach to the drawing process.
Subtexts within the work revolve around themes of friendship, vulnerability, and perhaps even loss. The closeness of the figures suggests an intense emotional bond; their postures convey tenderness and support. However, the reclining figure’s posture – relaxed yet somewhat passive – could also be interpreted as a sign of fragility or illness. The muted colors and indistinct background contribute to a feeling of quiet sadness or contemplation. It is possible that the drawing explores the complexities of human relationships and the shared experience of mortality. The artists choice to depict these figures in such a simplified, almost ghostly manner suggests an interest in capturing not just their physical appearance but also their inner emotional states.