1903 Mateu et Angel Fernаndez de Soto avec Anita Pablo Picasso (1881-1973) Period of creation: 1889-1907

The drawing presents a domestic scene populated by three figures arranged around what appears to be a chaise lounge or daybed. The composition is dominated by two women seated closely together on the furniture; one leans forward, engaged in sewing, while the other observes her work with an expression that seems to blend amusement and perhaps a touch of melancholy. Their attire suggests a fashionable era – the woman sewing wears stockings and shoes with prominent heels, while the other’s dress is adorned with what might be lace or decorative trim.
A third figure, a man, stands adjacent to the chaise lounge, positioned slightly behind and to the right of the women. He holds a lit cigar in his hand, and his posture conveys an air of detached observation. His facial features are rendered with exaggerated proportions – particularly large eyes and a somewhat elongated nose – contributing to a sense of caricature or stylized representation.
The color palette is restrained, primarily utilizing washes of ochre, red-brown, and blue pencil lines that define the forms. The background appears minimal, allowing focus to remain on the interaction between the figures. A small inscription, “Anita,” is visible near the lower left corner, potentially identifying one of the women depicted or serving as a dedication.
Beyond the surface narrative, several subtexts emerge from this drawing. The intimacy shared by the two women suggests a complex relationship – perhaps friendship, familial connection, or something more nuanced. The man’s presence introduces an element of voyeurism or distance; he is both present and removed, seemingly observing a private moment without full participation. His exaggerated features could be interpreted as a commentary on male observation or a playful distortion of social roles.
The overall effect is one of fleeting intimacy captured with a deliberate lack of sentimentality. The drawing’s sketchy quality and limited color range contribute to an impression of immediacy, as if the artist rapidly recorded a scene unfolding before them. It hints at a narrative that remains partially obscured, inviting speculation about the relationships and circumstances surrounding these figures.