Part 5 National Gallery UK – Michelangelo Merisi da Caravaggio - Boy bitten by a Lizard
1595-00
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The artist employed a dramatic chiaroscuro technique – a stark contrast between light and shadow – to heighten the emotional impact of the scene. A strong beam of light illuminates the boy’s face, shoulder, and upper arm, drawing attention to these areas while plunging the background and much of his body into deep darkness. This selective illumination emphasizes the physicality of his reaction and isolates him within a void.
The figure is draped in a simple white cloth that clings to his form, revealing the contours of his youthful physique. A single flower is tucked behind his ear, a detail which introduces an element of delicate beauty against the backdrop of his suffering. This juxtaposition might suggest innocence or fragility confronted by an unpleasant experience.
At the lower right corner, a still life arrangement provides further context. A blue-glazed vessel overflows with flowers and fruits – cherries and olives are clearly visible. The presence of these natural elements introduces themes of abundance and transience, potentially hinting at the fleeting nature of pleasure and the inevitability of pain. The lizard itself is absent from view; its bite is implied by the boy’s reaction, intensifying the sense of suddenness and unexpected harm.
The overall effect is one of intense realism and psychological depth. The artist seems less interested in narrative detail than in capturing a raw, immediate emotional response to an unsettling event. The work explores themes of vulnerability, pain, and the disruption of innocence through a masterful manipulation of light, shadow, and composition.