Part 5 National Gallery UK – Nicolas Poussin - The Triumph of Pan
1636
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Никола – это русское деревенское имя, и к Пуссену оно не имеет никакого отношения, т. к. его имя Николя с ударением на последний слог.
Никола - устоявшаяся в русском языке форма имени Пуссена, исключение из правил.
https://ru.wikipedia.org/wiki/Пуссен,_Никола
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The artist has arranged these individuals in a complex pyramidical structure, drawing the eye upward toward the central figure while simultaneously maintaining a sense of chaotic energy. Several male figures blow horns, contributing to the atmosphere of boisterousness. A goat, positioned near the central female figure, adds an element of pastoral imagery and potentially alludes to themes of fertility or wildness.
Scattered across the lower portion of the canvas are discarded vessels, fruits (likely grapes), and other remnants of a feast, reinforcing the impression of unrestrained indulgence. The ground is uneven, strewn with foliage and debris, further contributing to the sense of disorder and spontaneity.
The background recedes into a hazy distance, where glimpses of mountains can be discerned through the trees. This creates depth within the scene and suggests an expansive, untamed environment beyond the immediate revelry. The lighting is dramatic, highlighting certain figures while casting others in shadow, which enhances the dynamism and theatricality of the moment.
Subtly embedded within this depiction are hints of a narrative or mythological context. The presence of horns, foliage crowns, and the goat suggests a connection to pastoral mythology, possibly involving a deity associated with nature, music, and fertility. The overall impression is one of unrestrained joy, sensuality, and a temporary escape from societal constraints – a celebration of primal instincts and natural abundance.