Luca Signorelli – Predella – Esther, and Life of Saint Jerome Part 5 National Gallery UK

The composition unfolds across six distinct panels, creating a narrative sequence that demands careful observation. The overall palette is restrained, dominated by earthy tones – ochres, browns, and muted greens – punctuated by the occasional flash of crimson or blue. This limited color range contributes to a sense of solemnity and reinforces the gravity of the depicted events.
The leftmost panel presents an interior scene. A seated figure in dark robes appears to be engaged in writing or study, while another stands before him, gesturing with a raised arm. The posture of the standing individual suggests either explanation or supplication. Behind them, architectural elements – a column and what seems to be a table – establish spatial depth.
The subsequent panel shifts to an outdoor setting, where a figure is shown in a pose reminiscent of classical sculpture – perhaps a depiction of contemplation or prayer. The presence of a small table with objects upon it hints at a ritualistic or devotional context.
Moving towards the center, we encounter a large gathering of figures arranged around what appears to be a central authority – likely a king or ruler. This panel is densely populated; faces are rendered with varying degrees of detail, conveying a range of emotions from solemnity and reverence to apprehension and anxiety. The arrangement suggests a formal court proceeding or judgment scene. A winged figure hovers above the group, possibly an angel or divine messenger observing the events below.
The following panel continues the narrative, depicting what seems to be a military confrontation. Figures in armor are shown engaged in action, their poses dynamic and energetic. Again, a winged figure is present, positioned slightly behind the central figures, suggesting intervention or guidance from a higher power.
The penultimate panel returns to an interior setting, mirroring the composition of the first. A figure clad in white stands before a column, seemingly observing or awaiting instruction. The architectural backdrop reinforces a sense of formality and institutional authority.
Finally, the last panel depicts another individual standing within a similar architectural space as the previous one. This figure’s posture is more relaxed than that of the preceding character, suggesting a moment of reflection or repose.
Subtleties in the rendering of faces and gestures across the panels suggest an exploration of themes such as divine intervention, justice, faith, and perhaps even political intrigue. The recurring motif of architectural structures – columns, arches, and doorways – may symbolize transitions between different phases of life or spiritual journeys. The consistent presence of winged figures introduces a layer of symbolism related to celestial guidance and divine influence over human affairs. The overall effect is one of measured narrative progression, inviting contemplation on the interplay between earthly events and higher powers.