Jacopo di Antonio (Master of Pratovecchio) – Left Pilaster of an Altarpiece Part 4 National Gallery UK

The presented work is a vertical architectural element, likely originating from a larger altarpiece structure. It consists of a central, twisted column flanked by two rectangular panels containing painted figures. The entire construction is encased in gilded wood, contributing significantly to its visual impact and suggesting a devotional purpose.
Here we see three distinct figures depicted within the panels. The uppermost figure stands in profile, draped in a monastic habit with a halo encircling his head. His posture suggests humility and contemplation; he appears to be gesturing towards something beyond the frame, perhaps indicating divine inspiration or revelation. The central panel portrays a figure standing before what seems to be an altar or architectural structure. This individual is also adorned with a halo and wears elaborate robes, hinting at a position of authority or sanctity. A red garment is visible beneath the outer layers, adding visual complexity. The lower panel mirrors the composition of the top one, presenting another monastic figure in profile, similarly gesturing outwards and framed by a halo.
The column itself is noteworthy. Its twisted form introduces a dynamic element to what would otherwise be a static structure. This swirling design could symbolize spiritual ascent or the complexities of faith. The gilded surface enhances this sense of movement and grandeur.
Subtexts within the work revolve around themes of religious devotion, contemplation, and potentially, intercession. The repeated presence of monastic figures suggests an emphasis on prayer, penance, and a life dedicated to divine service. The gestures towards unseen entities imply a connection between the earthly realm and the spiritual one. The hierarchical arrangement of the panels – with the figure at the altar positioned centrally – might indicate a specific order of importance within the religious narrative it served.
The overall impression is that of a carefully considered devotional object, designed to inspire reverence and contemplation in the viewer. The limited color palette and somewhat stylized figures are characteristic of artistic conventions prevalent during its likely period of creation.