Jacopo di Antonio (Master of Pratovecchio) – Gabriel – Frame Roundel (left) Part 4 National Gallery UK

Here we observe a devotional roundel, likely intended as part of a larger architectural framework. The composition is dominated by a youthful male figure, presumably an angel, positioned centrally within the circular space. He appears in profile, turned slightly towards the viewer, and his gaze is directed upwards, suggesting reverence or communication with a higher power.
The angel’s attire consists of a white tunic adorned with red cross-like markings, indicative of a symbolic or heraldic significance. A cloak, also predominantly red, drapes over one shoulder, adding visual weight to the figure and contributing to a sense of solemnity. The wings, rendered in a simplified manner, are positioned behind him, further emphasizing his celestial nature.
The artist employed a limited palette, relying primarily on earth tones – ochre, brown, and red – to depict the angel’s skin, clothing, and the surrounding background. A golden halo encircles the figures head, reinforcing his divine status. The background itself is rendered in a warm, muted tone, creating a sense of depth and drawing attention to the central figure.
The roundel is encased within an ornate gilded frame, which features intricate foliate designs. This elaborate framing suggests that the artwork was intended for a place of importance – perhaps a church or chapel – and served as a visual reminder of faith and piety. The overall effect is one of restrained elegance and devotional sincerity, characteristic of religious art produced during the period.
Subtly, the positioning within a frame implies a contained narrative, hinting at a larger story beyond what is immediately visible. The angel’s gesture – a raised hand – could be interpreted as either a blessing or an offering, adding another layer of meaning to the composition.