Part 4 National Gallery UK – Jacopo di Cione and workshop - The Coronation of the Virgin - Central Main Tier Panel
1371
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Flanking Christ and Mary are numerous figures – angels and saints – arranged symmetrically on either side. These individuals are depicted with halos, signifying their sanctity. The lower register is populated by kneeling figures, presumably worshippers or members of the faithful, who gaze upwards towards the central pair. Their attire varies; some wear elaborate robes indicative of ecclesiastical rank, while others are clad in simpler garments.
The color palette is dominated by gold and white, with accents of pink, blue, and red. The use of gold is particularly significant, symbolizing divinity, royalty, and heavenly light. The composition adheres to a formal, hierarchical structure characteristic of the period’s religious art. The figures are presented in a stylized manner, prioritizing symbolic representation over naturalistic depiction. Facial expressions are restrained, conveying reverence and solemnity rather than overt emotion.
Subtly, the painting conveys themes of divine authority, intercession, and the veneration of Mary. Christs act of crowning her underscores her elevated status within the Christian cosmology. The assembled figures below reinforce the idea of a divinely ordained hierarchy and the importance of faith and devotion. The overall effect is one of profound spiritual significance, intended to inspire awe and reverence in the viewer.