Hans Baldung Grien – Portrait of a Man Part 3 National Gallery UK

The portrait presents a man viewed in three-quarter profile against a deep blue background. The composition is tightly focused on the sitter, eliminating any distracting elements beyond his immediate presence. He wears a dark velvet cap adorned with a small golden ornament, and a rich fur-trimmed cloak draped over his shoulders, suggesting status and wealth. Beneath the cloak, a white linen shirt is visible, embellished with delicate embroidery and secured by a heavy gold chain bearing an emblem – a heraldic device or personal symbol – suspended from a medallion.
The man’s face displays a complex interplay of features. His expression appears somewhat melancholic, marked by a slight downturn of the mouth and a gaze that seems to penetrate beyond the viewer. A neatly trimmed beard, predominantly grey with traces of darker hair, frames his face, contributing to an impression of age and experience. The artist has rendered the skin tones with meticulous detail, capturing subtle variations in light and shadow to convey texture and volume.
The date 1514 is inscribed in a somewhat hasty hand at the top edge of the painting, providing a temporal anchor for the work. This inscription, while seemingly straightforward, introduces an element of formality and documentation characteristic of commissioned portraits from this period.
Subtleties within the portrait suggest layers of meaning beyond a simple representation of likeness. The fur trim on the cloak implies not only affluence but also a connection to power and authority. The emblem on the chain is crucial; its precise identification would unlock further insights into the sitter’s identity, family lineage, or professional affiliations. The overall somber palette – the deep blue background contrasted with the dark fabrics and muted skin tones – evokes a sense of gravity and introspection. It avoids celebratory exuberance, instead suggesting a man of serious character and perhaps burdened by responsibility.
The paintings style demonstrates a high degree of technical skill in rendering textures and details, indicative of a sophisticated artistic practice prevalent during the early sixteenth century. The careful observation of naturalism combined with an awareness of symbolic representation creates a compelling portrait that invites contemplation about the sitter’s life and position within his society.