Giovanni dal Ponte – Unknown Saint, Saint Cosmas and Saint Francis Part 3 National Gallery UK

The composition presents a vertical arrangement of three distinct scenes, encased within an elaborate gilded frame that emphasizes their hierarchical structure and devotional purpose. The overall effect is one of solemnity and reverence, typical of late medieval religious art.
At the apex of the piece, a Madonna and Child are depicted in a roundel. Here we see Mary seated, holding the infant Jesus who gestures towards the scene below. Her expression is serene, conveying both maternal tenderness and divine grace. The positioning above the other figures establishes her as the central figure of intercession and blessing.
The central panel portrays two male figures engaged in what appears to be a moment of revelation or instruction. One man, clad in vibrant red robes, stands with an open hand extended towards the second figure, who is dressed in more modest attire. The older man’s posture suggests authority and wisdom, while the younger man seems to be receiving guidance or undergoing a spiritual awakening. The stark contrast between their garments draws attention to this dynamic of mentorship or divine communication. A small inscription above them appears to identify them, though its legibility is limited.
The lowest panel features a solitary figure in a brown habit, likely a friar. He stands in profile, his gaze directed downwards and his hands clasped in prayer. The simplicity of the scene contrasts with the more elaborate depictions above, suggesting humility and personal devotion. His posture conveys a sense of contemplation and submission to a higher power.
The gilded frame itself is integral to the work’s meaning. Its intricate carvings and ornate details elevate the scenes within, reinforcing their sacred nature. The vertical format lends an air of monumentality, intended to inspire awe and reverence in the viewer.
Subtly, the painting suggests themes of divine guidance, spiritual instruction, and personal piety. The arrangement implies a progression: from the maternal blessing of Mary, through the transmission of knowledge or faith, to individual contemplation and prayer. The use of color – the vibrant red against the more muted tones – further emphasizes the importance of the central scene and its message.