Giulio Romano and Gianfrancesco Penni – Saint Mary Magdalene borne by Angels Part 3 National Gallery UK

The composition unfolds within a semicircular format, suggesting its original placement as part of a larger architectural scheme – likely a vault or ceiling. A celestial realm is established through a backdrop of deep blue, subtly transitioning into swirling clouds that form the immediate setting for the central figures. These clouds are not uniformly white; instead, they possess a muted palette of grays and pale yellows, lending them a sense of depth and atmospheric perspective.
At the heart of the scene, a female figure with flowing, dark hair is borne aloft by several winged beings. The woman’s expression conveys a complex mixture of sorrow and serenity. Her gaze is directed upwards, suggesting contemplation or perhaps an acceptance of her fate. She wears a simple garment that clings to her form, revealing a delicate physique.
The angels surrounding her are rendered with considerable dynamism. Their poses are varied – some appear to be actively supporting the woman, while others seem to be guiding her ascent. The wings themselves display a range of colors: crimson, pale pink, and white – adding visual interest and emphasizing their ethereal nature. One angel at the lower left is depicted in profile, his face turned downwards with an expression that hints at melancholy or reverence.
The body of another figure lies across the woman’s lap; it appears lifeless, draped in a red cloth. This element introduces a poignant narrative layer – a suggestion of sacrifice, mourning, or perhaps even resurrection. The positioning of this figure relative to the woman creates a visual triangle that anchors the composition and draws the viewers eye towards the central drama.
The lighting is soft and diffused, creating a dreamlike quality. It highlights certain areas – particularly the faces of the figures – while allowing other parts of the scene to recede into shadow. This selective illumination contributes to the overall sense of mystery and spiritual elevation. The artist’s use of color – the contrast between the womans dark hair, the angels’ vibrant wings, and the muted tones of the clouds – further enhances the emotional impact of the work.
Subtly, there is a tension between earthly sorrow and heavenly grace. The scene seems to depict not merely an ascension but also a moment of profound loss or transition. It evokes themes of redemption, divine intervention, and the enduring power of faith in the face of suffering.