Gregorio Lazzarini – Portrait of Antonio Correr Part 3 National Gallery UK

The composition presents a gentleman in formal attire, positioned centrally within the frame. He is depicted from the waist up, his gaze directed towards the viewer with a measured expression that suggests both authority and contemplation. The artist has rendered him against a backdrop of architectural elements – a stone wall partially obscured by a heavy red curtain – creating a sense of depth and establishing a formal setting.
The gentleman’s clothing is noteworthy: a black coat, lined with what appears to be cream-colored silk, drapes over his shoulders, contrasting sharply with the pristine white shirt collar and cuffs visible at his neck. A voluminous powdered wig, characteristic of the period, frames his face, adding to the overall impression of status and refinement. He holds a document in his outstretched hand; its contents are illegible but it is presented as an integral part of the portrait’s narrative. The gesture suggests importance or perhaps the act of presenting something significant.
The lighting is carefully controlled, illuminating the gentlemans face and hands while leaving portions of his clothing and the surrounding architecture in shadow. This chiaroscuro effect draws attention to key elements – his expression, the document he holds, and the texture of his garments – and contributes to a sense of gravitas.
A small table is visible at the lower left corner of the painting, upon which rests what appears to be a pair of gloves. The presence of these gloves might signify leisure or readiness for social engagement. Inscribed on the wall behind him are Latin words and a coat of arms; this detail likely denotes his lineage or official position.
The overall effect is one of dignified formality, conveying an image of a man of consequence – a figure who holds power, knowledge, or responsibility. The painting’s subtexts revolve around themes of status, authority, and the importance of documentation within a hierarchical society.