Part 3 National Gallery UK – Gonzales Coques - Smell (Portrait of Lucas Faydherbe)
before 1661
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The artist has rendered the man’s attire in muted tones – primarily browns, grays, and whites – which contribute to a somber atmosphere. The fabric drapes loosely around his form, indicating a degree of comfort and perhaps even affluence. A prominent red cushion provides a striking contrast against the subdued palette of the clothing, drawing attention to its texture and color.
A small table positioned near the subject holds what appears to be a dish or container, partially obscured by shadow. This object is likely integral to the scene’s narrative, possibly containing ingredients related to the smoking process or representing another sensory experience. The mans hand delicately manipulates the pipe, highlighting the ritualistic nature of the action and emphasizing its importance within the context of the work.
The lighting in this painting is dramatic, with a strong light source illuminating the subject’s face and upper body while leaving much of the background shrouded in darkness. This technique serves to isolate the figure and intensify his presence. The artists brushwork appears loose and expressive, particularly noticeable in the rendering of the hair and clothing, which suggests movement and texture.
Beyond a straightforward portrait, the work seems to explore themes of sensory perception, specifically smell and taste, given the context of smoking. It could be interpreted as an allegory for one of the five senses, or perhaps a commentary on the pleasures and indulgences associated with refined living. The man’s posture and expression suggest a certain self-awareness and sophistication, hinting at his social standing and intellectual pursuits.