Part 1 National Gallery UK – After Francesco Francia - The Virgin and Child with an Angel
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The child, positioned close to the maternal figure, appears robust and naked, his body rendered with considerable detail. He reaches out towards the woman’s hand, establishing a tactile connection that emphasizes their bond. The gesture seems both inquisitive and trusting.
To the right of the mother and child stands an angel, depicted in lighter hues of blue and white. This figure is actively engaged, looking upwards with an expression of reverence or anticipation. She holds aloft a golden vessel containing what appears to be fruit – likely pomegranates – a symbol often associated with fertility, abundance, and divine love.
The background reveals a landscape receding into the distance. A low horizon line allows for a glimpse of distant buildings and trees, suggesting a pastoral setting that contrasts with the figures’ immediate presence. The use of aerial perspective creates depth and contributes to the overall sense of serenity.
Subtly, the painting explores themes of maternal protection, divine grace, and spiritual offering. The womans posture and expression convey a quiet dignity, while the child embodies innocence and vulnerability. The angel’s active participation introduces an element of celestial intervention, suggesting a connection between the earthly realm and the divine. The pomegranate held by the angel could be interpreted as a symbol of hope or redemption.
The artist’s attention to detail – the folds of the drapery, the texture of skin, the rendering of light – contributes to a sense of realism while maintaining an idealized aesthetic characteristic of devotional art. The color palette is restrained, dominated by blues and greens, which reinforce the paintings contemplative mood.