Part 1 National Gallery UK – Carlo Crivelli - Saint Michael
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Жаль нет общего вида Алтаря из Асколи Пичено. Эта створка отнесена к Алтарю Демидова в " Мифах народов мира" том 1, стр 416
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The figure stands upon a defeated entity, whose form is serpentine and contorted beneath his feet. This subjugation is central to the narrative; it suggests triumph over chaos or evil. The posture of the vanquished creature conveys both struggle and ultimate defeat.
A small, circular object hangs suspended from above, seemingly attached by a delicate chain. Its placement introduces an element of mystery and potentially alludes to divine intervention or judgment. It is positioned slightly off-center, disrupting perfect symmetry and adding visual interest.
The color palette is restrained but rich, employing deep greens, reds, golds, and silver tones. The meticulous application of pigment creates a sense of preciousness and reinforces the figures elevated status. Light falls unevenly across the scene, highlighting certain areas while leaving others in shadow, which enhances the three-dimensionality of the armor and the dramatic effect of the composition.
The artist’s attention to detail is striking; each scale of the armor, each fold of fabric, and each feature of the defeated creature are rendered with precision. This level of meticulousness contributes to a sense of formality and solemnity. The figures gaze is directed downwards, suggesting contemplation or perhaps divine authority.
Subtly, there’s an interplay between earthly strength (represented by the armor) and spiritual power (implied by the halo and the subjugation of the serpentine form). This suggests a complex narrative involving both physical prowess and divine mandate. The overall effect is one of controlled power and symbolic weight.