Part 1 National Gallery UK – Bernardino Licinio - Portrait of Stefano Nani
1528
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The man wears a voluminous dark cloak or mantle draped across his shoulders, its folds carefully articulated to suggest weight and texture. A glimpse of a lighter garment is visible beneath the cloak, hinting at layers of clothing. He holds a small tablet or plaque, inscribed with text in Latin – Stephanus Nani Abauro XVIIMDVIII Lycinius S.P. - which rests against his hand and extends downwards towards the lower edge of the composition. A ring adorns one of his fingers, adding another detail to his presentation.
The subdued palette, dominated by dark browns and blacks, contributes to a sense of solemnity and introspection. The lighting is focused on the man’s face and upper body, drawing attention to his expression and attire while leaving the background in shadow. This contrast enhances the three-dimensionality of the figure and isolates him from any specific environment.
The presence of the inscribed tablet suggests an emphasis on identity and legacy. The Latin inscription likely denotes the subjects name, origin (Abauro), birth year (1518), and possibly the artist’s initials (Lycinius S.P.). This detail implies a desire to memorialize the individual and record his existence for posterity.
The overall impression is one of quiet dignity and intellectualism. The mans pose, combined with his direct gaze and the symbolic tablet, suggests a person of importance or refinement, perhaps a scholar or member of the aristocracy. The artist has created an image that transcends mere representation; it aims to convey something about the subject’s character and place within the social order.