Metropolitan Museum: part 4 – George Romney 1734– Kendal 1802) - Lady Lemon (1747–1823)
George Romney 1734– Kendal 1802): Beckside (near Dalton-in -Furness mid- to late 1780s; British; Oil on canvas; 50 x 40 in. (127 x 101.6 cm)
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The dress itself commands considerable attention. It’s rendered in a pale, creamy white fabric, heavily draped and gathered to create volume and texture. Delicate blue ribbons accent the neckline and sleeves, providing a subtle contrast against the dominant white. The style suggests a fashionable silhouette from the mid-18th century, indicative of an upper-class status.
The artist has chosen a landscape backdrop that is somewhat indistinct but contributes significantly to the overall mood. A dense cluster of trees occupies the background, painted with loose brushstrokes in shades of brown and green. Patches of sky are visible through the foliage, hinting at a bright day. The landscape isn’t intended for detailed observation; rather, it serves as an atmospheric element that frames the subject and reinforces her connection to nature and perhaps, a sense of pastoral tranquility.
The womans hairstyle is elaborate, featuring voluminous curls arranged in a fashionable style typical of the period. Her complexion appears fair, and subtle shading suggests a soft light illuminating her face. The artist has paid particular attention to capturing the texture of her hair and the sheen of the fabric, demonstrating technical skill.
Subtly, the painting conveys an impression of wealth and social standing. The quality of the fabrics, the elaborate hairstyle, and the carefully composed pose all point towards a woman of considerable means and influence. Theres also a sense of restrained confidence in her gaze; she is presented as someone accustomed to being observed and admired. The landscape backdrop, while not sharply defined, subtly suggests an association with landed gentry or rural estates, further reinforcing this impression of social status and connection to the countryside.