Metropolitan Museum: part 4 – Francesco Francia - Madonna and Child with Saints Francis and Jerome
Francesco Francia: Italian, Bologna ca. 1447–1517 Bologna ca. 1512–15; Oil and gold on wood; 29 1/2 x 22 1/2 in. (74.9 x 57.2 cm)
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The mother’s expression is one of serene contemplation, her gaze directed outward towards the viewer. The infant exhibits a similar calmness, his eyes fixed on an unseen point. The flanking men display expressions that suggest reverence and devotion. One looks directly at the child, while the other appears to be in prayer or deep thought.
The artist has employed a palette dominated by rich blues, reds, and earthy tones. The blue of the mother’s cloak contrasts with the red of her undergarment, creating visual interest and emphasizing her central position. The landscape visible through an opening behind the figures is rendered in muted greens and browns, providing depth to the scene.
The arrangement of the figures suggests a hierarchical structure, with the mother as the focal point and the male saints acting as attendants or witnesses. This positioning reinforces themes of maternal protection, divine grace, and spiritual guidance. The presence of the two saints introduces layers of meaning related to asceticism, penance, and intercession – qualities often associated with religious devotion.
The overall effect is one of solemnity and piety. The artist has created a scene that invites contemplation on themes of faith, motherhood, and divine connection. The careful arrangement of figures and the use of color contribute to an atmosphere of reverence and tranquility.