Metropolitan Museum: part 4 – Mary Cassatt - The Cup of Tea
Mary Cassatt: American, Pittsburgh, Pennsylvania 1844–1926 Le Mesnil-Théribus, Oise ca. 1880–81; Oil on canvas; 36 3/8 x 25 3/4 in. (92.4 x 65.4 cm)
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Here we see an emphasis on intimate moments and quiet contemplation. The woman’s posture suggests a state of absorption; she seems lost in thought or perhaps savoring the experience of drinking tea. Her attire – a pale pink dress, matching hat, and elegant gloves – indicates a certain social standing and refinement. The floral arrangement behind her is rendered with loose brushstrokes, contributing to an overall sense of gentle informality despite the woman’s formal appearance.
The artist has employed a limited depth of field; the background fades into a hazy indistinctness, drawing attention solely to the figure. This technique isolates the subject and reinforces the feeling of privacy and introspection. The light source appears diffused, bathing the scene in a soft glow that minimizes harsh shadows and contributes to the overall mood of tranquility.
Subtly, the work explores themes of leisure and femininity within an upper-class setting. It is not a portrait intended to convey grand narratives or heroic qualities; instead, it focuses on capturing a fleeting moment of everyday life, elevated by its delicate execution and quiet emotional resonance. The absence of other figures further emphasizes the woman’s solitude and reinforces the sense that this is a private, personal experience being observed.