Bernardo Strozzi – Tobias Curing His Father’s Blindness Metropolitan Museum: part 4

Metropolitan Museum: part 4 – Bernardo Strozzi - Tobias Curing His Father’s Blindness
Bernardo Strozzi: Italian, Genoa 1581–1644 Venice 1630–35; Oil on canvas; 57 1/2 x 88 in. (146.1 x 223.5 cm)

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Metropolitan Museum: part 4 - Andrea del Sarto (Italian, Florence 1486–1530 Florence) - Portrait of a Man

Metropolitan Museum: part 4 - Jean Frédéric Schall - Dancer

Metropolitan Museum: part 4 - Julius Schrader - Baron Alexander von Humboldt (1769–1859)

Metropolitan Museum: part 4 - Sebastiano del Piombo (Italian, Venice (?) 1485/86–1547 Rome) - Portrait of a Man, Said to be Christopher Columbus (born about 1446, died 1506)

Metropolitan Museum: part 4 - Joaquín Sorolla y Bastida - Señora de Sorolla (Clotilde García del Castillo, 1865–1929) in Black

Metropolitan Museum: part 4 - Spanish Painter, first quarter 15th century - Saint Michael and the Dragon

Metropolitan Museum: part 4 - Michiel Sweerts - Clothing the Naked

Metropolitan Museum: part 4 - Swiss Painter, first quarter 16th century - Portrait of a Man Wearing the Order of the Annunziata of Savoy

Metropolitan Museum: part 4 - Jacopo Tintoretto (Italian, Venice 1519–1594 Venice) - Portrait of a Man

Metropolitan Museum: part 4 - Titian (Italian, Pieve di Cadore ca. 1485/90?–1576 Venice) - Filippo Archinto (born about 1500, died 1558), Archbishop of Milan

Metropolitan Museum: part 4 - Titian (Italian, Pieve di Cadore ca. 1485/90?–1576 Venice) - Portrait of a Man

Metropolitan Museum: part 4 - Copy after Titian - Alfonso d’Este (1486–1534), Duke of Ferrara

Metropolitan Museum: part 4 - Tommaso Fiorentino (Italian, Florentine, ca. 1495–1564) - Portrait of a Man

Metropolitan Museum: part 4 - Henri de Toulouse-Lautrec - The Englishman (William Tom Warrener, 1861–1934) at the Moulin Rouge

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The picture has something of this: people, group, man, wear, woman, veil, music, pain, many, weapon, injury, interaction, furniture.
Perhaps it’s a painting of a group of people with a man in the middle of the painting and a woman in the.

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