Metropolitan Museum: part 4 – Sebastiano Ricci - The Holy Family with Angels
Sebastiano Ricci: Italian, Belluno 1659–1734 Venice possibly ca. 1700; Oil on canvas; 50 x 45 1/2 in. (127 x 115.6 cm)
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
To her right stands an older man, bearded and robed in earth tones. He holds a book open before him, suggesting scholarship or prophetic knowledge. His posture is somewhat withdrawn, creating a visual separation from the central group while maintaining a connection through proximity.
Two winged figures, presumably angels, are positioned on the left side of the scene. One angel leans towards the child with an expression of reverence and tenderness, while the other appears to be in motion, adding dynamism to the arrangement. The landscape backdrop is loosely rendered, featuring foliage and suggesting a natural setting that contributes to the overall atmosphere of tranquility and piety.
The artist’s use of light is significant; it illuminates the faces and drapery of the central figures, drawing attention to their expressions and textures. A soft glow emanates from behind the group, creating an ethereal quality. The color palette is dominated by warm tones – reds, golds, and browns – which contribute to a sense of warmth and intimacy.
Subtleties within the work suggest layers of meaning beyond the immediate depiction. The woman’s gaze might imply intercession or contemplation of divine will. The older mans book could symbolize wisdom or prophecy, hinting at a narrative context. The angels represent celestial presence and protection. The overall arrangement evokes themes of familial love, spiritual guidance, and divine grace – common motifs in religious art intended to inspire devotion and reflection.