Metropolitan Museum: part 4 – Govert Flinck - A Young Woman as a Shepherdess (Saskia as Flora)
Govert Flinck: Dutch, Cleve 1615–1660 Amsterdam Oil on canvas, transferred from wood; Oval, 26 1/4 x 19 7/8 in. (66.7 x 50.5 cm)
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
Here we see a figure with abundant auburn hair cascading around her shoulders, partially obscuring the delicate lace collar of her garment. Her expression is one of gentle contemplation; her gaze directed slightly off-center, suggesting an inward focus rather than direct engagement with the observer. The artist employed chiaroscuro – a dramatic contrast between light and shadow – to model her face, highlighting the soft curves of her cheeks and chin while leaving portions in a velvety darkness. This technique lends a sense of depth and realism to the portrayal.
A floral wreath adorns her head, composed of various blooms and foliage. The inclusion of these natural elements is significant; they suggest an association with themes of fertility, abundance, and idealized beauty. The flowers are not rendered with meticulous botanical accuracy but rather as suggestive symbols, contributing to a sense of poetic allegory.
The woman’s attire – a combination of rustic simplicity (the lace collar) and understated elegance – hints at a deliberate ambiguity regarding her social status. She is presented as both a shepherdess, evoking images of rural innocence and pastoral harmony, and as someone of refinement, suggested by the quality of her clothing and the careful arrangement of her hair. This duality creates a layered meaning; she embodies not only natural beauty but also an idealized vision of femininity.
The signature at the lower right corner, rendered in a script that appears somewhat hurried, provides evidence of authorship while simultaneously reinforcing the painting’s informal, almost spontaneous feel. The overall effect is one of quiet grace and understated charm – a portrait that transcends mere likeness to become a meditation on beauty, nature, and idealized womanhood.