Metropolitan Museum: part 4 – Piero di Cosimo (Italian, Florence 1462–1522 Florence) - The Young Saint John the Baptist
Piero di Cosimo (Italian, Florence 1462–1522 Florence): Piero di Lorenzo di Piero d’Antonio Tempera and oil on wood; 11 1/2 x 9 1/4 in. (29.2 x 23.5 cm)
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The most striking element is undoubtedly the elaborate coiffure. The hair, rendered in warm tones of auburn and gold, cascades around the head in a profusion of tightly curled locks. This abundance suggests both youthful vitality and a deliberate styling that moves beyond simple practicality. The rendering of individual strands demonstrates considerable technical skill, creating a palpable sense of volume and movement.
The skin tone is carefully modeled, with subtle gradations of light and shadow defining the planes of the face. A delicate blush tints the cheeks and lips, contributing to an overall impression of youthful innocence and vulnerability. The profile itself is finely sculpted, revealing a refined nose and a gently curving jawline.
To the left of the figure, a slender stalk rises vertically, bearing what appears to be a stylized leaf or frond. This element introduces a symbolic layer to the work; its precise meaning remains open to interpretation but could allude to themes of growth, resilience, or connection to nature. The placement is strategic, drawing the eye and creating a visual counterpoint to the figure’s gaze.
The absence of any overt religious iconography beyond this subtle botanical detail allows for multiple readings. While the subjects appearance – particularly the youthful features and flowing hair – might evoke associations with classical mythology or pastoral imagery, the overall effect is one of restrained elegance and introspective stillness. The artist seems less concerned with narrative than with exploring the aesthetic possibilities of form, color, and texture to convey a sense of quiet beauty and enigmatic presence.