Metropolitan Museum: part 4 – Neroccio de’ Landi (Italian, Siena 1447–1500 Siena) - Madonna and Child with Saints Jerome and Mary Magdalen
Neroccio de’ Landi (Italian, Siena 1447–1500 Siena): Neroccio di Bartolommeo di Benedetto di Neroccio de’ Landi ca. 1490; Tempera on wood; 24 x 17 1/4 in. (61 x 43.8 cm)
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The artist employed a palette dominated by rich reds and deep greens, contrasted with the pale flesh tones of the infant and the maternal figure. The red garment worn by the mother draws immediate attention to her presence, while the green robes of the male figure suggest his role as an intermediary or protector. The use of gold leaf for the halos imbues the figures with a sense of sanctity and divine grace.
The facial expressions are restrained and contemplative. The maternal figure’s downcast eyes convey humility and piety, while the infant gazes directly forward with an expression that is both innocent and knowing. The male figures gaze appears directed upwards, suggesting reverence or prayer. The female figure on the right exhibits a serene countenance, her posture conveying quiet dignity.
Subtleties in the rendering of drapery contribute to the overall sense of solemnity. The folds are carefully arranged to create volume and movement, yet they do not distract from the central figures’ expressions. The artists attention to detail is evident in the depiction of the male figure’s beard and hair, which suggest age and wisdom.
The positioning of the infant within the mother’s embrace emphasizes themes of maternal love, protection, and divine lineage. The presence of the other two figures suggests a broader narrative – perhaps an invocation of intercession or a representation of the Virgin Mary surrounded by saints who offer support and guidance. The overall effect is one of profound spiritual devotion and quiet contemplation.