Metropolitan Museum: part 4 – Jean Marc Nattier - Madame Marsollier and Her Daughter
Jean Marc Nattier: French, 1685–1766 1749; Oil on canvas; 57 1/2 x 45 in. (146.1 x 114.3 cm)
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The woman, presumably the mother, is seated on an ornate chair draped in luxurious fabrics – primarily blues and whites – that emphasize her status and refinement. She holds a small bouquet of flowers, a gesture that could symbolize innocence or domesticity. Her gaze is directed outward, conveying a sense of composure and perhaps even a degree of self-awareness. The daughter sits beside her, holding a small box adorned with floral embellishments. Her posture is more playful; she appears to be engaged in an activity, possibly reading or examining the contents of the box.
The artist has employed a soft, diffused light that illuminates the figures and their garments, highlighting the textures of the fabrics and creating a sense of opulence. The color palette is dominated by cool tones – blues, whites, and greens – which contribute to an atmosphere of elegance and serenity. A large mirror stands to the left of the composition, reflecting a portion of the room and subtly suggesting vanity or self-reflection.
Beyond the surface depiction of familial affection and refined taste, subtexts relating to social standing and female roles are evident. The elaborate setting and attire underscore the family’s wealth and position within society. The mothers pose and expression suggest an idealized image of feminine virtue and grace, while the daughter’s presence reinforces notions of lineage and inheritance. The mirror introduces a layer of complexity, hinting at the performative nature of social identity and the importance of appearances in maintaining status. Overall, the work serves as a visual testament to the values and aspirations of the aristocracy during its time.