Metropolitan Museum: part 4 – Bartolomé Esteban Murillo - A Knight of Alcántara or Calatrava
Bartolomé Esteban Murillo: Spanish, Seville 1617–1682 Seville ca. 1650–55; Oil on canvas; Overall, with added strips, 77 x 43 3/4 in. (195.6 x 111.1 cm); original canvas 77 x 38 1/2 in. (195.6 x 97.8 cm)
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The man’s face is rendered with a degree of realism, exhibiting a serious expression and a neatly trimmed beard. His gaze is directed towards the viewer, establishing a direct connection that conveys an impression of authority and composure. The lighting emphasizes his features, highlighting the texture of his skin and the subtle nuances of his expression.
The armor elements – a gauntlet on his left hand and what appears to be a portion of a breastplate visible at the collar – are rendered with meticulous detail, suggesting a deliberate emphasis on his status or affiliation. A broad-brimmed hat is held in his left hand, adding another layer of symbolic complexity; it could signify readiness for action or a ceremonial role.
The color palette is restrained, primarily consisting of dark tones – black, grey, and muted blues – which contribute to the overall solemnity and gravitas of the portrait. The limited use of lighter colors draws attention to the man’s face and the metallic details of his armor.
Subtly, theres a sense of ambiguity regarding the context of this figure. While the attire suggests nobility or military service, the lack of specific identifying markers leaves room for interpretation. It is possible that the portrait intends to convey an idealized image of chivalry or a representation of a particular order or institution. The darkness surrounding him could symbolize challenges faced or responsibilities borne. Ultimately, the painting invites contemplation on themes of honor, duty, and social standing within a hierarchical society.