Metropolitan Museum: part 4 – Bartolomeo Montagna (Italian, Vicentine, before 1459–1523) - Saint Justina of Padua
Bartolomeo Montagna (Italian, Vicentine, before 1459–1523): Bartolomeo Cincani 1490s; Oil on wood; Overall, with added strips, 19 1/2 x 15 1/8 in. (49.5 x 38.4 cm); painted surface 19 1/8 x 14 3/4 in. (48.6 x 37.5 cm)
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The artist has rendered her skin tone with meticulous attention to detail, capturing subtle variations in light and shadow that contribute to a lifelike quality. The woman’s hair, a rich auburn color, cascades down her shoulders, partially braided and adorned with decorative elements – likely jewels or precious metalwork – that hint at status or significance. A halo encircles her head, signifying her elevated spiritual position.
She is dressed in elaborate attire; the gown features a deep green velvet bodice embroidered with intricate gold detailing and a white, flowing skirt. A delicate necklace of pearls and what appear to be gemstones rests upon her chest, further emphasizing her refinement. In her left hand, she holds a large feather or quill, its vibrant green contrasting sharply with the richness of her garments. This object is likely symbolic, potentially representing learning, writing, or divine inspiration.
The lighting in this painting is soft and diffused, illuminating the woman’s face and highlighting the textures of her clothing. The dark background serves to isolate her figure, drawing the viewers attention solely to her presence.
Subtly, there is a sense of idealized beauty at play here. While the features are realistic, they possess an almost ethereal quality, suggesting a spiritual purity beyond earthly concerns. The combination of luxurious fabrics and ornamentation with the symbolic feather implies a complex interplay between worldly status and divine grace – a common theme in depictions of holy figures during this period. The overall effect is one of restrained elegance and quiet devotion.