Metropolitan Museum: part 4 – Ernest Meissonier - Soldier Playing the Theorbo
Ernest Meissonier: French, Lyons 1815–1891 Paris 1865; Oil on wood; 11 1/2 x 8 5/8 in. (29.2 x 21.9 cm)
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The man’s clothing is noteworthy: a dark tricorn hat sits atop his head, partially obscuring his hair; he wears a tunic with elaborate frilled cuffs, tucked into high-waisted breeches and substantial boots adorned with red accents. A sword hangs at his side, hinting at his military status. His expression conveys a mixture of concentration and enjoyment as he plays the instrument. The theorbo itself dominates much of the visual space, its size emphasizing both the man’s skill and perhaps the unusual nature of this musical pursuit within a soldiers life.
The background is deliberately understated. A draped curtain to the left provides a vertical counterpoint to the figure, while a partially visible chair with crimson upholstery adds a touch of domesticity to the scene. The floorboards are rendered with meticulous detail, contributing to the overall sense of realism and precision.
Subtleties within the painting suggest layers of meaning beyond a simple depiction of a soldier playing music. The juxtaposition of military garb and artistic endeavor implies a potential commentary on leisure time during wartime or perhaps an exploration of the multifaceted nature of identity – a man who is both warrior and artist. The choice of the theorbo, an instrument associated with courtly entertainment, might further suggest a longing for refinement or a desire to transcend the harsh realities of military life. The careful rendering of details, characteristic of meticulous academic painting, lends a sense of importance and dignity to this seemingly commonplace moment. Ultimately, the work invites contemplation on themes of duty, artistry, and the human need for solace amidst conflict.