Metropolitan Museum: part 4 – Édouard Manet - Boy with a Sword
Édouard Manet: French, Paris 1832–1883 Paris 1861; Oil on canvas; 51 5/8 x 36 3/4 in. (131.1 x 93.4 cm)
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COMMENTS: 1 Ответы
Господь милуй. Сколько умных, знающих достоверно, что такое "утонченное искусство", при этом так утонченно боятся назваться своими именами.
Эти дебилы не понимают, что "утонченное искусство" – понятие неопределенное в контексте эпох. Или эти ослы хотят сказать, что все художники до Малевича были сущими скотинами и неумехами? Выражения подбирайте, копченые устрицы, закройтесь в своих раковинах и не высовывайтесь. Если б не было Малевича, то вы бы и не знали, что такое "утонченное искусство". А так прочитали где-то, и теперь знают. :)
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Here we see the boy dressed in what appears to be formal attire: a black jacket with a white collar peeking out from beneath, dark trousers, and blue stockings culminating in polished shoes. This clothing suggests a certain level of privilege or social standing. He holds a sword in one hand and a shield in the other, both rendered with a meticulous attention to detail that highlights their metallic sheen. The sword is angled slightly downwards, its point directed towards the viewer, while the shield hangs somewhat awkwardly at his side.
The boy’s expression is notable for its seriousness and lack of overt emotion. His gaze is fixed forward, conveying an impression of solemnity or perhaps a forced maturity. This contrasts with the playful nature one might associate with a child wielding weaponry. The lighting in the painting is subdued, emphasizing the figure against the dark backdrop. It focuses primarily on his face and upper body, leaving the lower portion in shadow, which contributes to a sense of mystery and restraint.
Subtly, the work seems to explore themes of masculinity and societal expectations placed upon young boys. The presence of the sword and shield suggests an introduction to ideals of chivalry or military prowess, potentially hinting at a prescribed role within a hierarchical social structure. The boy’s serious demeanor could be interpreted as an attempt to embody these ideals, even if he lacks the experience or understanding to fully grasp their significance.
The paintings overall effect is one of quiet contemplation and restrained narrative. It avoids overt symbolism, instead relying on subtle cues – clothing, posture, expression – to suggest a deeper commentary on childhood, social roles, and the burdens of expectation.