Hans Holbein the Younger – Portrait of a Member of the Wedigh Family, Probably Hermann Wedigh (died 1560) Metropolitan Museum: part 4

The portrait presents a man in three-quarter view against a saturated blue backdrop. He is positioned slightly left of center, his gaze directed forward with a measured expression. The composition emphasizes a sense of restrained dignity and quiet authority.
Here we see the subject dressed in dark, voluminous clothing – a black beret sits atop his head, framing short, neatly trimmed hair. A layered garment, possibly a doublet or coat, drapes over his shoulders, its folds meticulously rendered to suggest both richness and an understated elegance. The collar is lined with what appears to be fur, adding another layer of visual texture and hinting at status. Beneath the outer layers, a white linen shirt is visible, its crispness contrasting with the heavier fabrics above. A ring adorns his finger, a subtle marker of personal wealth or familial connection.
The artist has placed an open book on a table situated in the lower left corner. The pages are aged and worn, suggesting scholarship or legal practice. Beside it lies a folded document, its contents obscured but implying involvement with written communication – perhaps correspondence or official records. These objects contribute to a narrative of intellectual pursuits and civic responsibility.
Inscribed above the figure’s head are two lines of text: ANNO. 1537. and ATATIS. SVA. 29.” This indicates the year of the portraits creation (1537) and the subject’s age at that time (29 years old). The inscription, rendered in a formal script, reinforces the sense of documentation and official record-keeping inherent to the genre of portraiture during this period.
The lighting is carefully controlled; it illuminates the face and hands, drawing attention to these areas while leaving the background relatively dark. This technique enhances the three-dimensionality of the figure and creates a focal point for the viewers eye. The skin tones are rendered with remarkable realism, capturing subtle variations in color and texture.
The overall effect is one of sober self-possession. While there’s no overt display of emotion, the man’s expression conveys intelligence and perhaps a certain reserve. The painting suggests not only an individual portrait but also a statement about social standing, education, and civic duty within a specific historical context.