Metropolitan Museum: part 4 – Gentile da Fabriano (Italian, Umbrian, active by 1408–died 1427) - Madonna and Child with Angels
Gentile da Fabriano (Italian, Umbrian, active by 1408–died 1427): Gentile di Niccolò di Giovanni di Massio Tempera on wood, traces of gold ground; 33 3/4 x 20 in. (85.7 x 50.8 cm)
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The infant held by the mother appears robust and nude, his form rendered with meticulous attention to detail, particularly in the depiction of skin tones and anatomical structure. He gazes directly outward, engaging the viewer with a directness that is both arresting and endearing. Flanking the central figures are two smaller figures, presumably angels, each holding flaming orbs. Their poses are graceful and symmetrical, contributing to the overall balance of the composition.
The mother sits upon an elaborate architectural structure, which appears to be part of a larger building. The lower portion of this structure is adorned with intricate floral patterns and what seems to be a decorative band. This detail suggests a setting of considerable wealth and importance.
The artist’s use of gold leaf is significant; it not only creates a luminous backdrop but also reinforces the spiritual significance of the subject matter, evoking associations with divine light and heavenly realms. The meticulous rendering of fabrics, particularly the rich folds of the blue robe, demonstrates a mastery of technique and an attention to detail characteristic of the period.
Subtly, there is a sense of restrained emotion conveyed through the figures’ expressions. While not overtly demonstrative, their gazes and postures suggest tenderness and devotion. The overall effect is one of quiet dignity and profound spiritual contemplation. The compositions symmetry and the use of gold contribute to an atmosphere of formality and reverence, indicative of a devotional work intended for private worship or display in a prominent location.