Metropolitan Museum: part 4 – Eugène Delacroix - Madame Henri François Riesener (née Félicité Longrois, 1786–1847)
Eugène Delacroix: French, Charenton-Saint-Morice 1798–1863 Paris 1835; Oil on canvas; 29 1/4 x 23 3/4 in. (74.3 x 60.3 cm)
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She wears an elaborate bonnet of white lace, its folds meticulously rendered to capture both volume and delicacy. Beneath it, a high-necked dress in dark brown velvet dominates the visual field. A contrasting band of orange and cream fabric encircles her neck, adding a touch of vibrancy against the somber tones of the velvet. The texture of the fabrics is skillfully portrayed – the sheen of the velvet, the crispness of the lace, and the subtle drape of the dress all contribute to a sense of tactile realism. A delicate gold chain rests upon her chest, partially obscured by the high collar.
The lighting in this painting is carefully orchestrated. It illuminates her face and upper body, highlighting the contours of her features and emphasizing the texture of her clothing. The shadows are deep but not oppressive, contributing to a feeling of depth and volume. Her complexion appears somewhat flushed, suggesting either a natural warmth or perhaps an intentional artistic choice to convey vitality.
Beyond the straightforward depiction of appearance, the portrait conveys a sense of quiet dignity and established social standing. The formality of her attire and posture suggest adherence to societal conventions. There is a certain reserve in her expression; it isnt overtly joyful or sorrowful, but rather contemplative. This restraint might be interpreted as indicative of an individual accustomed to maintaining composure and decorum.
The artist’s attention to detail – the rendering of the lace, the folds of fabric, the subtle nuances of light and shadow – suggests a desire not merely to record her likeness, but also to capture something of her character and social position. The overall effect is one of understated elegance and quiet authority.