Metropolitan Museum: part 4 – Paul Cézanne - Antoine Dominique Sauveur Aubert (born 1817), the Artist’s Uncle
Paul Cézanne: French, Aix-en-Provence 1839–1906 Aix-en-Provence 1866; Oil on canvas; 31 3/8 x 25 1/4 in. (79.7 x 64.1 cm)
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The artist’s approach to rendering form is characterized by a deliberate lack of smooth blending; instead, individual strokes of paint are left largely unmixed, creating a textured surface that emphasizes the materiality of the medium. This technique contributes to a sense of immediacy and a departure from traditional portraitures pursuit of idealized representation. The background is indistinct, composed of broad washes of grey and brown, which serve to isolate the figure and direct attention towards his face and upper body.
The man’s expression conveys an air of quiet contemplation or perhaps even melancholy. His brow is furrowed slightly, and his mouth set in a firm line. Theres a sense of gravity about him, suggesting a personality marked by seriousness and introspection. The lighting appears to originate from the left, casting shadows that accentuate the planes of his face and adding depth to the portrait.
Beyond the straightforward depiction of an individual, the painting seems to explore themes of identity and representation. The unconventional headwear introduces an element of eccentricity or perhaps even a subtle commentary on societal norms. The rough application of paint suggests a focus not merely on capturing likeness but also on conveying something about the process of seeing and creating. It’s possible that the artist intended to portray not just the mans physical appearance, but also his inner character – his dignity, resilience, or perhaps even a touch of weariness. The overall effect is one of understated power and psychological complexity.