Metropolitan Museum: part 4 – Biagio d’Antonio - Portrait of a Young Man
Biagio d’Antonio: Italian, Florentine, active by 1472–died 1516 probably ca. 1470; Tempera on wood; Overall 21 3/8 x 15 1/2 in. (54.3 x 39.4 cm); painted surface 20 1/4 x 14 1/4 in. (51.4 x 36.2 cm)
На эту операцию может потребоваться несколько секунд.
Информация появится в новом окне,
если открытие новых окон не запрещено в настройках вашего браузера.
Для работы с коллекциями – пожалуйста, войдите в аккаунт (open in new window).
Поделиться ссылкой в соцсетях:
You cannot comment Why?
The artist has employed a restrained palette dominated by earthy hues – the deep red of the garment contrasts with the muted greens and browns of the landscape. The fabric itself appears to be a heavy wool or velvet, its folds carefully rendered to suggest volume and texture. A white collar provides a visual break against the richness of the red robe, drawing attention to the subject’s face.
The background reveals a distant vista – a body of water is visible beyond a line of hills, punctuated by a solitary tree on the right side. The landscape appears somewhat idealized, lacking specific topographical markers and contributing to a sense of timelessness. This backdrop isnt intended as a literal representation but rather serves to contextualize the subject within a broader world.
The young man’s expression is complex; it conveys both seriousness and a hint of melancholy. His lips are slightly parted, suggesting an unspoken thought or emotion. The hands, clasped in front of him, appear relaxed yet purposeful. This gesture could be interpreted as a sign of composure or perhaps even restraint.
Subtly, the painting suggests themes of youth, introspection, and social standing. The quality of the garment and the careful attention to detail indicate that this is likely a portrait of someone from a privileged background. The landscape, while beautiful, also hints at a distance – a separation between the subject and the natural world, reinforcing his position within a structured society. Overall, the work conveys a sense of quiet dignity and invites contemplation on the sitter’s inner life.