Metropolitan Museum: part 4 – Unknown - Portrait of a young woman in red
Roman Period; A.D. 90–120; Egypt; Encaustic, limewood, gilding; H. 38.1 x W. 18.4 cm (15 x 7 1/4 in.); Rogers Fund, 1909; 09.181.6
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The artist employed a restrained palette dominated by earth tones – ochre, russet, and umber – punctuated by the vibrant red of her garment. The skin tone is rendered with subtle gradations, suggesting a delicate complexion. Dark pigments define the contours of her face, emphasizing the shape of her jawline and cheekbones. Her eyes are large and almond-shaped, accentuated by dark kohl liner that extends outwards in a characteristic style.
A laurel wreath encircles her hair, which is styled in loose curls framing her face. This detail carries connotations of victory, honor, or perhaps association with the divine – a common motif in ancient iconography. A thin veil, painted in translucent white, drapes over her head and shoulders, softening the edges of her features and adding a layer of ethereal quality to her appearance. The neckline of her garment is revealed by a dark scarf, which contrasts sharply with the red fabric beneath.
The surface of the panel exhibits signs of age and wear; cracks and fissures are visible across the painted surface, contributing to the work’s sense of antiquity and fragility. These imperfections do not detract from the portraits impact but rather enhance its historical resonance. The overall effect is one of quiet dignity and restrained beauty.
Subtly, there exists a tension between the idealized features – the smooth skin, symmetrical face – and the evident signs of time’s passage on the panel itself. This juxtaposition invites contemplation about mortality, preservation, and the enduring power of artistic representation across generations. The directness of her gaze suggests an awareness of being observed, hinting at a possible role as a memorial image or funerary portrait intended to preserve her likeness for posterity.