Metropolitan Museum: part 4 – Unknown - Portrait of a thin-faced man
Roman Period; A.D. 140–170; Egypt; Encaustic, limewood, gilding; H. 40 x W. 19.7 cm (15 3/4 x 7 3/4 in.); Rogers Fund, 1909; 09.181.3
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A laurel wreath encircles his brow, a traditional symbol associated with victory, honor, and often, in Roman contexts, imperial power. However, given the man’s somber expression and the overall subdued palette of the work, the wreaths significance appears complex; it might suggest a fallen hero or someone burdened by responsibility despite outward recognition.
The artist employed a limited color range dominated by earthy tones – browns, ochres, and blacks – with touches of gold highlighting portions of his face and neck. This gilding creates an effect of luminosity, drawing attention to the man’s features while simultaneously suggesting a connection to classical ideals or perhaps even divinity. The treatment of the background is particularly noteworthy; its darkness serves not only as contrast but also seems to imply a sense of isolation or confinement.
The composition itself is formal and frontal, characteristic of portraiture intended for display or commemoration. The figure’s direct gaze, combined with his austere demeanor, invites contemplation on themes of mortality, duty, and the weight of expectation. Theres an underlying tension between the symbolic grandeur implied by the laurel wreath and the palpable sadness conveyed through the man’s features, hinting at a narrative beyond what is immediately visible.