Metropolitan Museum: part 3 – Asher Brown Durand - Summer Afternoon
Asher Brown Durand: American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey 1865; Oil on canvas; 22 1/2 x 35 in. (57.2 x 88.9 cm)
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Along the bank, a lush meadow unfolds, populated by a small herd of cattle grazing peacefully. These animals are depicted with a naturalism that suggests their integral role within this ecosystem. The foreground is defined by rocky outcroppings and patches of wildflowers, adding textural complexity to the scene.
A cluster of mature trees forms a central visual anchor, their dense foliage casting dappled shadows across the meadow. Their placement strategically frames the view towards the distant landscape, which recedes into a hazy atmosphere. This atmospheric perspective contributes significantly to the sense of vastness and tranquility. The sky is rendered with delicate brushstrokes, suggesting a subtle interplay of light and cloud formations. A luminous orb, presumably the setting sun, hangs low on the horizon, its glow illuminating the scene with a golden hue.
The painting evokes a feeling of serenity and harmony between humanity and nature. It suggests an idealized vision of rural life – a place untouched by industrialization or urban sprawl. The careful arrangement of elements, from the placement of the trees to the depiction of light, conveys a sense of order and balance. There is a quiet dignity in the scene; it speaks to a reverence for the natural world and its inherent beauty. It’s possible to interpret this as an expression of national identity – a celebration of the American landscape and its potential for pastoral abundance.